> Hacking the Body & HTB2.0
Research
Hacking the Body and HTB 2.0 was a research and performance collaboration between Dr Kate Sicchio and myself, which evolved from 2011 until 2018 and started by examining rhetoric within the online computing community around concepts of code, hacking, networks, the quantified self, and data, as a new approach to examining inner and outer states and sensations of the human body, using sensing devices within performance.
> Videos
> UCA HTB 2.0 Residency R&D 2015
> Timeline
2011– 2018
> Collaborators
- Dr Kate Sicchio – collaborator and co-investigator
> Abstract
Hacking the Body and HTB 2.0 was a reserach adn performance collaboration between Dr Kate Sicchio and myself, which evolved from 2011 until 2018 and started by examining rhetoric within the online computing community around concepts of code, hacking, networks, the quantified self, and data, as a new approach to examining inner and outer states and sensations of the human body, using sensing devices within performance.
Hacking the Body used concept of ‘hacking’ to repurpose and reimagine internal signals from the body in two ways:
(1) to explore how internal physiological data can be gathered and harnessed to understand the experiential states of the body, and then
(2) how we as artists will ‘hack’ to explore new methods for creating artworks, using sensing systems and audiovisual technology.
Through this exploration we became critical of concepts of ‘code versus body knowledge’ and expanding our work to develop new parameters of revealing this hidden body as part of the greater social, political and technological networks. As such, body data can be hacked, repurposed and re-visualised. With a theoretical focus on understanding the ethos and methods of the hacking community, while seeking project funding we educated ourselves in the hands-on practical making processes of DIY electronics, soft circuits, and smart materials.
During our research we observed how self-monitoring and quantified-self activities have led to new forms of narcissism and encourage corporate and government spying and exploitation. The focus for us, however, then became about interpreting inner states and processes in order to be seen or interpreted as one’s personal identity, which may (or may not influence) one’s movement and interaction with others.
Hacking the Body 2.0 was thus born to follow on from a need to explore and critique how wearable technology extends our senses but also how personal data identity and privacy issues can be revealed and understood through layers of ‘known-ness’. The project became concerned with identity and data ownership in performance. As such, HTB2.0 has used modern DIY wearable electronics and smart materials alongside hacked corporate fitness tech, to explore these issues within the wearable technology, smart textiles and smart fashion industries, while adding a new dimension to performance technology and its evolution.
> Partners
- Arts Council England
- UCA / University for the Creative Arts
> Budget / Funding
- There was no research council funding for the research, see Hacking the Body 2.0 Performances Feel Me & Flutter / Stutter page on the R&D and performance funding
> Outcomes / Impact
There were many papers and presentations from this research over the 7 years – see the publications section on the writing on the project. Below are presentations and activities for the Hacking the Body research before the performances documented elsewhere:
May 16-22, 2016 ISEA: International Symposium for Electronic Arts 2016 Hong Kong, presenting an artist talk on performance development and wearable costume design Flutter /Stutter and Feel Me performances (with video and demo) and a paper presentation on Hacking the Body research and performance development. ISEA 2016 conference website http://isea2016.isea-international.org and conference catalogue http://wikisites.cityu.edu.hk/sites/scm/Shared%20Documents/OtherDoc/isea2016_catalogue/isea2016_catalogue.pdf
July 29th–31st, 2013 The Electronic Visualisation and the Arts (EVA) 2013, London, UK. Presented a paper ‘Open-source, custom interfaces and devices with live coding in participatory performance’ and ‘Hacking the Body’ paper with Kate Sicchio.
July 17th, 2013 Maker’s Guild on Wearables, Centre for Creativity and Collaboration, London. Presented the ‘Hacking the Body’ project in collaboration with Kate Sicchio.
July 6, 2013, Elephant and Castle Mini-Maker Faire, London, UK, co-produced by between London College of Communication, University of the Arts, London and the Victoria and Albert Museum Digital Programs. Presenting and showing work from the collaborative performance media research project “Hacking the Body”, the collaborative project with Lincoln University collaborator dancer/choreographer Kate Sicchio.
June 17-21, 2013, ACM Creativity and Cognition, June 17-21, 2013, Sydney, Australia – conducted an all-day workshop with research collaborator Kate Sicchio, teaching the basics using soft circuits and wearable technology, as well as the basics of programming in open-source software Arduino for electronics development.
June 14-16, 2013, TekStar Art and Technology Festival, Byron Bay, Australia – conducted an all-day workshop with research collaborator Kate Sicchio, teaching the basics using soft circuits and wearable technology for performance creation;
June 8th-16th, 2013, (ISEA) International Symposium of Electronic Art 2013, Sydney Australia – conducted an all-day workshop with research collaborator Kate Sicchio, teaching the basics using soft circuits and wearable technology for a variety of applications.
May 10, 2013, Mediamorphosis Symposium, at the University of Brighton, presented by The REFRAME Digital Platform for Research in Media, Film and Music research group (http://reframe.sussex.ac.uk/) and the Creative Critical Practice Research Group at the University of Sussex – presented a paper on “Hacking the Body”, the collaborative project with Lincoln University collaborator dancer/choreographer Kate Sicchio, presentation here https://www.slideshare.net/secret/zzvY5BTXiPuwdz
April 10, 2013, Becoming Nomad: Hybrid Spaces, Liquid Architectures and Online Domains, University of York St John, York, UK – presented a paper on “Hacking the Body”, the collaborative project with Lincoln University collaborator dancer/choreographer Kate Sicchio, on behalf of both of us.
March 3rd, 2013, Exhibiting Performance Conference, University of Westminster – presented a paper on the collaborative project with Lincoln University collaborator dancer/choreographer Kate Sicchio, “Hacking the Body” (working with electronics, biofeedback sensors, mobile phones and Kinect) on behalf of both of us.
Nov 27, 2012 Digital Workshop at the Victoria and Albert Museum, London UK. Demonstration of project “Hacking the Body”.
September 7th-8th, 2012, LIVE INTERFACES in Performance, Art, Music ICSRiM School of Music, University of Leeds – presented a poster with Lincoln University collaborator dancer/choreographer Kate Sicchio, on the collaborative project “Hacking the Body” – presentation available on request.
May 19, 2012 Handmade Everything Maker Faire as part of the FutureEverything Festival, Victoria Baths, Manchester, UK. Demonstration of project “Hacking the Body” – images available.
